Gentle Giant温和的巨人 – 《Octopus》1972[Japanese Limited SHM-SACD 2010 # UIGY-9057]

Gentle Giant温和的巨人 – 《Octopus》1972[Japanese Limited SHM-SACD 2010 # UIGY-9057]

Gentle Giant温和的巨人 – 《Octopus》1972[Japanese Limited SHM-SACD 2010 # UIGY-9057]

Gentle Giant温和的巨人 – 《Octopus》1972[Japanese Limited SHM-SACD 2010 # UIGY-9057]

Gentle Giant温和的巨人 – 《Octopus》1972[Japanese Limited SHM-SACD 2010 # UIGY-9057]

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温和的巨人 – 《Octopus》1972[Japanese Limited SHM- 2010 # UIGY-9057]
在古典、摇滚和民谣的世界里,有一片地带是属于Gentle Giant的。Gentle Giant以其中世纪骑士般的勇敢精神试图把游吟诗人的回旋曲和R&B融合在一起,多种打击乐的运用、对话式的吟唱、重型摇滚乐的结构让 Gentle Giant的音乐象一锅大杂烩汤。在乐队的六重奏中最重要的是Kenny Minnear的键盘和Gary Green的吉他,当然Gentle Giant听起来和其他前卫摇滚乐队如此不同的主要原因是Derek Schulman那非正常人类的唱法,太冷漠了以至于听起来象音乐学校里的视唱练耳或者格利高里圣咏。Gentle Giant在70年代有点晕头转向,不知该走哪条路了。那时正是King Crimson、Yes等前卫摇滚乐队的颠峰时期,迷幻摇滚穷途末路,而布鲁斯摇滚正向硬摇滚转型,摇滚江湖上风云莫测……不过Gentle Giant还有他们的秘密武器,就是不拘泥于风格而通过音乐直接捕获听者的心灵,万变不离其中,只要音乐是发自内心的就一定会感动听众。另外现场演出也是 Gentle Giant吸引听众的法宝之一,他们的表演积极向上,而且还充满幽默!当然最重要的是他们之间团结、如兄弟般的感觉,这种感觉如此真实的原因就是:乐队里真的有三个亲兄弟!
Features the 2010 DSD mastering based on Japanese original analog tape. Reissue features the high-
fidelity SHM-SACD format (fully compatible with standard SACD player, but it does not play on standard
CD players). DSD transferred by Manabu Matsumura.
DSD transferred from analogue master tapes by Manabu Matsumura (Universal Studio Mastering).

Returning to Gentle Giant’s fourth album after any kind of lengthy absence, it’s astonishing just how
little Octopus has dated. Often written off at the time as a pale reflection of the truly gargantuan steps
being taken by the likes of Jethro Tull and Barclay James Harvest, the band’s closest relatives in the
tangled skein of period prog, Gentle Giant often seemed more notable for its album art than its music.
Octopus, however, marries the two seamlessly, with the cover speaking for itself, of course. And the
mood continues within, the deliciously convoluted opening “The Advent of Panurge” itself riding waves
of sonic tentacles as Gary Green’s guitar shrieks short but so effective bursts around the thundering bass
and, occasionally, churchy organ. Against the pulsating volume of the album’s heavier tracks –
“Panurge” is joined by “A Cry for Everyone” – the band’s excursions into less excitable territory are
never less than captivating. Twiddly though they are, the sometimes a cappella “Knots,” the lilting
“Dog’s Life,” and the Yes-with-fiddles-ish “Raconteur Troubadour” all have moments of sublime
sweetness, while the instrumental “The Boys in the Band” is a succession of quirky showcases for,
indeed, all the boys. Occasionally arrangements do get overly cluttered – with each of the six
bandmembers doubling up on at least three different instruments, there’s a distinct sense of overdubs
for overdubbing’s sake. Follow the key instruments alone, however, and the soundscapes not only make
perfect sense, but so do the flourishes and intrusions that rattle around. And the end result is an album
that has withstood the test of time a lot better than anyone might have expected.

曲目:
01 – The Advent Of Panurge
02 – Raconteur, Troubadour
03 – A Cry For Everyone
04 – Knots
05 – The Boys In The Band
06 – Dog’s Life
07 – Think Of Me With Kindness
08 – River

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Gentle Giant温和的巨人 – 《Octopus》1972[Japanese Limited SHM-SACD 2010 # UIGY-9057]

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